The charges:
Betraying a clever premise, Disappointing resolution, Cliché
characterization.
The Verdict: Not Guilty!
The Ruling: The Cabin in the Woods
is a very clever film, setting up a premise that allows not only the use of
horror film conventions at will, but actually executes them very
effectively. It walks that tightrope
between being funny and being tense and scary all at once.
Like 1994’s Scream,
The Cabin in the Woods knows it is a
genre film, even if the characters in the movie don’t ponder this fact as
openly. Every cliché and go-to
technique is used, except, perhaps, the cat-jumping-out-of-a-cupboard
jump-scare. But whenever Cabin uses them, it always does so in a
way that defeats the expected timing, especially with jump-scares, sometimes to
use the very same one traditionally a moment later, when it suddenly works. Other times, it carefully sets up an
expected scare, and then lets it linger, but the jump never materializes at
all.
Often this is done through very skilled use of the framing
of shots. The camera’s limited view has
served to limit the perceptions of the characters onscreen since the dawn of
film, but horror, as a genre, abuses this convention in extreme ways, most of
which have become so tired that they have lost their power. Cabin
in the Woods demonstrates that this can still be done effectively, and the
technical prowess of framing and composition borders on the ingenious. The timing, too, is excellent, allowing the
viewer to relax just long enough before startling them all over again.
But it also benefits from great writing. The two technicians in the opening scene,
for example, are genuinely witty, and the five soon-to-be-victims, too, are not
the cardboard cutouts the audience has so long been bred to expect. The acting supports this, as each is played
very well. The five youths fit
stereotypes, of course, but that’s the entire premise, and when they defy conventions
by acting intelligently and planning competent strategies, I found myself
relaxing, just a little, not having to maintain an exhausting suspension of
disbelief, especially since all five have been shown to be pretty smart. It’s nice to see their cleverness stick with
them when the going gets tough.
The movie isn’t perfect, though, and the extended resolution
could have been tightened up, with certain scenes lingering just a tad too long
on certain entities better left with less screen time. But, in general, the movie clips along well,
developing expectations and then defeating them, often within moments of each
other.
Cabin in the Woods
is by far the most effective film of its type I’ve seen in a long time, and
will appeal to those who are looking for a flat out good time. It’s the sort of movie that rewards an
enthusiastic buy-in to the premise. It doesn’t
take the audience for granted, but instead takes them on a scary-themed thrill
ride, and doesn’t pretend it isn’t just a ride.
The accused is found NOT GUILTY of all charges.
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